The Ford Family Gallery at White Bear Center for the Arts features numerous rotating exhibitions throughout the year. The gallery is free and open to the public.
Monday, Wednesday & Friday: 9:00 AM – 4:00 PM
Tuesday & Thursday: 9:00 AM – 8:30 PM
Saturday: 10:00 AM – 3:00 PM
Call 651.407.0597 for additional hours
White Bear Center for the Arts
2018 Members’ Exhibition
November 19 – December 14, 2018
All members of WBCA are welcome to participate in the Members’ Exhibition! Everyone is welcome to attend the show.
Registration Deadline: Friday, October 12, 2018 at 4:00 PM
This non-juried exhibition is a celebration of all WBCA members and the artwork they create. All mediums and artwork are accepted. A long time tradition of WBCA this exhibition dates back some 20+ years.
Public Reception/Holiday Party: Thursday, December 6, 6:30 PM – 8:30 PM
Join us for our 2018 Holiday Party! Peruse the gallery to check out our Members’ Exhibition, listen to live music, eat holiday treats, and enjoy fabulous refreshments. All are welcome!
Smashing the Invisible
January 7 – February 13, 2019
Artist Mary Simon-Casati and Dr. Liliya Williams, Astrophysicist, explore the intersection of art and physics through sculpture, painting, and more.
Reception: Thursday, January 10, 6:30 PM – 8:30 PM
Free Lecture/Artist Talk: Saturday, February 2, 1:30 PM – 2:30 PM
Mary Simon-Casati, Artist, and Dr. Liliya Williams, Astrophysicist, will talk about the intersection of art and physics. Both scientist and artist ask how we know the world? We are investigators. What exactly is color, shape, space, volume, and light? These are the means by which physicists artists have long flirted with the limits of representation. Join us as we examine these concepts in a conversation led by Bethany Whitehead, Program and Communications Director at MRAC.
White Bear Center for the Arts
Northern Lights 45th Annual Juried Art Exhibition
March 4 – April 10, 2019
Northern Lights Juried Art Exhibition will feature some of Minnesota and Wisconsin’s finest artists and is a great opportunity to build your artistic profile, resume, and portfolio.
We encourage you to apply.
For more information on how to submit artwork for the show, please click here
SUBMISSION DEADLINE: Friday, January 11, 2019, 11:59 PM
NOTIFICATION OF SELECTED WORKS: Approximately February 4, 2019
OPENING RECEPTION: Thursday, March 7, 6:30 PM – 8:30 PM
NorthStar Watermedia Society
4th Annual National Juried Exhibition
September 10 – October 18, 2018
NorthStar Watermedia Society is the oldest Watermedia Society in Minnesota. Founded in 1975 in the White Bear Lake area, the original members included Jon Arfstrom, Judy Blain, Nels Femrite, Barb Lundell, Marian Wolters, and Frank Zeller. Currently, the Society has over 250 members throughout Minnesota, and into Wisconsin. The Society is well known for its lively and informative monthly meetings and demos, art shows, artists’ events, and workshops that feature nationally and internationally known artists.
EIGHT LOCAL ARTISTS ACCEPTED IN THE NORTHSTAR WATERMEDIA NATIONAL JURIED EXHIBITION
White Bear Lake area residents, Patricia Choffrut, Nels Femrite, Mark Ferrey, Ann Magnusson, Heid Nelson, S.A. Roman, Leny Wendel, and Frank Zeller are among 73 chosen paintings at the 4th Annual NorthStar Watermedia National Exhibition to be held at the White Bear Center for the Arts September 10 – October 18, 2018.
$9,000 in cash and non-cash prizes were awarded by Juror Rachel Daly, Director of Visual Arts, The Artistry!, Bloomington, MN
Project Art for Nature
July 19 – August 28, 2018
Project Art for Nature (PAN) is a group of artists and illustrators from Minnesota and Wisconsin working independently and collaboratively to create artwork which promotes stewardship of threatened natural areas in our region. Each participating artist focuses her/his work on an individually chosen area of land in need of protection or conservation related theme for a 3 year cycle. A portion of all sales from PAN shows are donated to an organization working to protect natural areas. Natural Reflections is the culminating show for PAN’s fifth cycle. We hope that our exhibit inspires you, the viewer, to look, listen, see and hear the need to protect and conserve vital natural areas around you.
Participating PAN artists:
Marj Davis, Denise Friesen, Kim Gordon, Emily Gray Koehler, Wendy Lacska, Suzanne Lewis, Tom McGregor, Cynthia Starkweather-Nelson, Christine Olson, Bonnie Ploger, Teri Power, Robyn Beth Priestley, David Spohn, Diane Wesman, Vera Ming Wong
Confession and Discretion
May 29 – July 12, 2018
ABOUT THE EXHIBITION
Erica Spitzer Rasmussen and Margo Selski are artists working in disparate media, yet each explores personal narratives regarding childhood memories, life experiences and family stories. The former (a paper sculptor and book-binder) and the latter (a painter of oils) relay their narratives via haunting and humorous figuration and meticulous attention to detail.
Perhaps the most evident commonality between the artists’ work is an interest in costume history… more specifically, the shared use of the Flemish ruff. Many of Selski’s characters don such over-sized neckwear, making reference to classical European portraiture. For Selski, the ruff is both decorative and functional. Its purpose is to elegantly conceal the secrets of the subject or modify one’s behavior. Rasmussen’s three- dimensional facsimiles of the ruffs symbolize limitations or cultural restraints. Similarly, the pages of Rasmussen’s wearable ruffs contain fragmented texts, only to be deciphered by the maker.
Other more subtle relationships exist between Rasmussen’s and Selski’s work. Both are interested in the tensions created by formal and conceptual polarities, such as the realistic and the fantastic, the traditional and the contemporary, the familiar and the foreign, the secure and the perilous, the masculine and the feminine, the sobering and the whimsical, and the beautiful and the repulsive.
Although each artist tells deeply personal stories through their work, both artists admit that a certain amount of information is always retained or obscured. This is done through tangible practices (like harboring secret notes in pockets and hemlines) or through more immaterial means (such as conjuring visual metaphors to disguise painful details or to veil an individual’s identity). The resulting exhibition is an intimate glimpse into the lives of the two artists, through visually engaging and emotionally powerful work.